Greg Chapman
Greg Chapman
There is also a (longer) wrong sentence or two in "10.2.1.1. Interpreted Chord Data in scoreDef" with a wrong example (wrong == `@inth` set to integer semitones)
Came here to request this. I guess I'll just +1. 😬
I wonder if what is needed here (in the output MEI file) is two nested staffGrp elements, one with "bracket" and one with "brace".
I can attempt a fix if you like.
Been a while since this was brought up, and I'm finding that I need this now. `@root` and `@bass`, definitely. `@inth="m3 m7"` is good, too, as long as the format...
FYI, here's what I'm currently doing (as of this afternoon) in my MEI 4 and 5 reader/writer for music21: When writing MEI, I am adding `harm@type`="my own standardized name for...
Well, I'm certainly abusing `@type` with wild abandon(!) for now, but in a future version of MEI, maybe if there was some way of specifying jazz chords like there is...
I absolutely understand MEI's need for "put this chord notation here, with no interpretation/analysis". But when the interpretation is known (jazz, figured bass, alfabeto, roman), there needs to be a...
Excellent. I still like the idea of (also) having a `` subelement of `` (like the `` subelement) with it's own jazz-specific stuff (some could be jazz-specific attributes, but there...
Something concrete to sink our teeth into... A relatively simple example first: C major seventh (Cmaj7 or CM7 or...) ``` Cmaj7 ``` How about C dominant 9th with augmented 5th...